Sci-Fi/Triller

Runtime: 5:22

Released: 11/17/21

Starring: Isaiah Morales, Alex Solitario

Log/Rate On Letterboxd

IMDb Page

Can’t Imagine you’re here all by yourself…

Twenty-Three days into an alien invasion, an old friend comes knocking on Matt’s door.

Intrusion, like many of my films, started off as a very different project. Very soon after the release of Ducklatch’s last short film, Bitten, I started writing the script for a final project in my Science Fiction Filmmaking class. As we all know in mid March of 2020, the world was ravaged by COVID-19; which I can explain to you, but I’ll save you the trouble as you’ve probably heard about it already. Long story short, two weeks before filming was set to begin on Intrusion (version 1), my campus shut down. I could no longer submit the film for a grade and did not have access to the school’s equipment. Intrusion was canceled.

Fast forward a few months to August 2020. The lockdown is over (well, kind of.) and I’m about to start my next semester at DeSales. Knowing that I’ll have the opportunity to actually create Intrusion this time, I planned a weekend getaway to plan the shoot and rewrite the script. I went by myself and brought only my laptop, a Stouffer’s lasagna, and one goal in mind: to make the best damn script I could. I scrapped most of the dialogue from the original draft and came up with something different. The only problem is that I’m honestly terrible at writing dialogue. After slapping together the first draft of Intrusion (v2), I sent it to my girlfriend, Skye. Ultimately, she ended up writing most of the dialogue and helped me alter the story to make it actually make sense. Without her help, Intrusion would not nearly be as good as it is today and I cannot thank her enough for that. After coming back from the cabin with a script I was happy with, I immediately got to work cleaning the set: my garage! I cleaned it all up, repainted it, rearranged the entire layout, and even installed a door (which was essentially a giant prop, considering it is non functional). After taking the rest of August to ready the garage, it was finally time to start filming. 

I assembled my cast and crew and we set out to start filming the second weekend of September. We had planned on filming Friday, Saturday, and Sunday from 6pm-12am. Although the weekend seemed grueling and intense, I wanted to get this done as soon as possible to have as much time as I could in post production. On Friday night after filming for a few hours, one member of the crew received a phone call informing them that someone they had been in contact with was exposed to someone who had just tested positive for COVID-19. Upon hearing this, I immediately wrapped the shoot and made sure everyone was tested before filming could resume. Was this devastating to the plans? Yes. Was shutting down the shoot a difficult call to make? Absolutely not. The safety of my crew is far more important to me than anything else. Intrusion was once again canceled. In such an unprecedented time, I wanted to make sure we did everything the right way and in a healthy way.

After we all tested negative we were pretty much back to square one. I took a week to lay out the rest of my semester and really think this shoot through. What had seemed like the biggest setback in the history of setbacks turned out to be a blessing in disguise. You see, when I get started on a film, I tend to get very excited. This is my passion and I absolutely love it, so I typically rush into it. Once I looked back at it, cramming the entire shoot into one weekend was an incredibly stupid idea. Not only would we have rushed through everything and cut corners, but it would have burnt everyone out and left them miserable and with a sour taste. It was at this point where I came up with the idea of having more shoots spread out over a longer period of time, but those individual shoots would be shorter and more focused. To explain it easier, I essentially cut the script into 5 scenes, and we picked 5 days we could film those specific sections. I thought this plan would ultimately lead to a better end result, as focusing on one specific scene per shoot, we could perfect those scenes. To my surprise, I feel like this plan actually worked.

The filming process that followed was a lot to handle if I’m being honest, but I think it was the best way to go about it. We filmed A LOT. We shot for a total of 8 nights, and then came back after for 3 reshoot/make up nights. Spreading these shoots out over such a long period of time was exhausting. I had so much going on with my personal life and with school that I now even further complicated by throwing a bunch of these intense shoots in the mix. It was exhausting, tiring, draining, but once we got through it, it was fulfilling and rewarding. Thankfully we didn’t have any other COVID related issues and I made sure we were always following the proper guidelines. Filming had some technical hiccups, as this was the first time I had ever used proper lighting and audio equipment, but we all came together to quickly get over them. 

Once filming was officially wrapped and the real editing had started, it was all down to me. This was the moment I was waiting for. Being able to sit with all of the pieces and finally get to work assembling the puzzle. I started off organizing the clips, something I also had never done before. Because of the fact we had filmed so much and used external audio for every take, I was dealing with over 300 files. A legitimate form of organization was absolutely necessary if I were to get this done. The way I went about this was simple. First, I would go through every single video and audio clip and label them as their scene, shot, and take numbers. Then, once every file was appropriately labeled, I sorted them all into the 5 scene folders. Once that was completed, I would watch every single take and carefully pick out the best one and put it in its own folder in its specific shot folder. Finally, after every single “best” take was picked I imported all of them into premiere and got to work. Whew Just thinking of that again is giving me a headache.

The biggest problem Intrusion helped me overcome was a more personal one. I have never felt proud of my films, after finishing them I’ve always picked them apart and told myself that they were garbage. Why? I don't know, honestly. Everyone always says “you’re your own worst critic” and while this is true, I genuinely was a very, very harsh critic of myself. At one point in the editing process, I honestly considered scrapping the entire thing. I didn't think it was even worthy of release. I, for some reason that I can’t remember for the life of me, hated it. So I worked on it, and worked on it, and if something seemed off I did everything in my power to fix it. For hours I would edit, fiddle with sound effects, mess with the grading, doing anything that I possibly could to satisfy myself. I was driving myself crazy, until one early morning I snapped out of it. I woke up and I actually looked at what I had done. In the middle of a global pandemic, one of the hardest semesters of my academic career, struggling with other personal issues of my own, in a time where literally every single thing seemed to be going against me: I created a film. One that is competently put together and thought out. One that looks and sounds better than anything I had ever done before. At that moment it all hit me at once. I had something that was “worthy” all along.

I had finally created something I was proud of, and once I realized that it was like a massive weight was taken off my shoulders. I started to feel more creative in the edit, I allowed my imagination to help me create a soundscape for the world outside and design the “being” outside of the window to actually sound like a logical thing. I broke the chains off and started to really make this my own thing. Intrusion helped me realize that I have so much to be proud of when it comes to my filmmaking and that is why it will always mean so much to me.

-Nick

The Festival Run!

 Our first ever film festival run! Here’s everything Intrusion won throughout it’s time in festivals! I’m still shocked and eternally grateful for all that this little film achieved!

Check out the festivals and submit if you can! They were all so kind and encouraging! I’ll be submitting to them later down the road for sure!


Accord Cine Fest

  • Best Picture-Short

  • Best Student-Short

  • Best Producer-Short

Hollywood Blood Horror Festival

  • Best Sci-Fi Short

  • Best Original Score

  • Best Poster

New Fort International Film Festival

  • Best Original Score For Short Film

  • Critics Choice: Best Director For Short Film

  • Special Jury Award: Best Sci-Fi Short Film

  • Best Thriller Short Film

Selections and Honorable Mentions

Pretty neat, huh?

 BTS Gallery

BTS photos curtesy of Cole Ledger Photography!

Reviews + Interviews

The Film Festival Network-Review

The Film Festival Network provides a very unique take on the film. I loved to see their thoughts on my characters and setting!

Indie Wrap-Interview with Nicholas Carrodo

My first professional interview! I talk a whole lot about the struggles we had to overcome for this film as well as some insight into my personal feelings on filmmaking and what it all means to me. I’m incredibly thankful to have had this opportunity to talk about my passion!

Matt and Garret Take the Movies-Video Review

Our friends over at Corkscrew94Productions were kind enough to give the early pre-release version of Intrusion a review! Check it out!

Indie Wrap-Review

Not only did they interview me, they also reviewed the film! As always, I find it fascinating hearing what people think of my film and describing it, it’s a very surreal feeling. This is a beautifully worded review that’s worth a read for sure!